Behind The Knockout

End-to-end post-production for KSI. Post, Edit, Color owned in-house — delivered on a six-week production cycle.

/01 THE BRIEF

What they needed.

KSI came to us because their internal team was capped at one upload per week. They needed a partner that could handle long-form edits, motion graphics, and channel-consistent finishing — without bottlenecking the creative call.

/02 THE WORK

What we did.

01Pre-productionTreatment, shot-list, talent coordination on a six-week cycle.

02EditIn-house edit team. Two passes minimum — rough cut to fine cut.

03Color & SoundBespoke LUT for the channel, mix-mastered to platform spec.

04DeliveryMaster, shorts cutdowns, thumbnails, promo carousel — all in one push.

★KSI × MASHWRKS★STUDIO PROJECT★2025★KSI × MASHWRKS★STUDIO PROJECT★2025★KSI × MASHWRKS★STUDIO PROJECT★2025★KSI × MASHWRKS★STUDIO PROJECT★2025

MORE STUDIO WORK

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Five more case studies from the past year.

BRIEF THE STUDIO

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